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Recommendations in parisienne's Network Read and discover what people in your network are saying about the music here on Amie Street

crazyeyes Rec'd this on Oct 6, 2009:
Street Cred: 7346 Rec's: 274
“One of the best openings of any live album ever recorded. Withers and co. are so funky that the audience is clapping the entire time. The icing on the cake: after they've played the song once, Bill introduces the band and plays the song in its entirety for a second time!”
crazyeyes Rec'd this on Sep 22, 2009:
Street Cred: 7346 Rec's: 274
“these girls fall like DOMINOS, DOMINOS -- so catchy”
crazyeyes Rec'd this on Sep 22, 2009:
Street Cred: 7346 Rec's: 274
“a nice build beginning with Kingsmen-esque 60s pop and ending in expansive psychedelic noise rock.”
crazyeyes Rec'd this on Jul 17, 2009:
Street Cred: 7346 Rec's: 274
“light, nonsensical indie-pop. stuck in my head pretty much all the time”
crazyeyes Rec'd this on Jul 6, 2009:
Street Cred: 7346 Rec's: 274
“Those Darlins are my new favorite band! This album is full of rough, garage-country that's simple and charming. Ever track is solid! ”
JohnGBrown Rec'd this on Jun 10, 2009:
Street Cred: 5716 Rec's: 346
“for more info: http://www.sonicboomrecordings.com/ghoststories/ "Ghost Stories is the musical brainchild of Ron Lewis, a bedroom recordist steeped in haunting lo-fi folk, found-sound ambience and epic psych-pop grandeur. Quixoticism, Ghost Stories’ debut, unfolds like a passive-aggressive psych-rock opera. "With years under his belt playing virtually every musical position on the field with the Fruit Bats, the Joggers, Colin Meloy and with members of the Dismemberment Plan, a creation of Lewis’ own seems justifiably due—resulting in an album which remains faithful to Lewis’ resume, but steps forward with an alpha gesture that is anything but supplementary. "Though some of the songs themselves date back seven years, Quixoticism and it’s progression to tape began in the summer of 2004 with an empty house and an 8-track tape machine. Lewis played and recorded everything at home, enlisting the help of Zack Reinig for the drum sounds. "Lewis’ relationship with the recording process gleams of hi-fi ambition beneath a lo-fi veneer, ripe with rich star-shine vocal harmonies, undulating transitions and bubbling psych explosions. “You Wear It Like Stained Glass Window” merges feral banshee guitars and spectral howls that reflect the volatile nature of knowing another person inside and out, be that good or bad. “Even a Vampire Wouldn’t Drink My Blood,” an anxious anthem to self-deprecation, shrugs off any residual melancholy with arena rock guitars and a cappella choral builds. This is a perfect conclusion to an album that embodies universal tribulations of finding, losing, or extricating oneself from love."”
JohnGBrown Rec'd this on Jun 10, 2009:
Street Cred: 5716 Rec's: 346
“for more info: http://www.sonicboomrecordings.com/ghoststories/ "Ghost Stories is the musical brainchild of Ron Lewis, a bedroom recordist steeped in haunting lo-fi folk, found-sound ambience and epic psych-pop grandeur. Quixoticism, Ghost Stories’ debut, unfolds like a passive-aggressive psych-rock opera. "With years under his belt playing virtually every musical position on the field with the Fruit Bats, the Joggers, Colin Meloy and with members of the Dismemberment Plan, a creation of Lewis’ own seems justifiably due—resulting in an album which remains faithful to Lewis’ resume, but steps forward with an alpha gesture that is anything but supplementary. "Though some of the songs themselves date back seven years, Quixoticism and it’s progression to tape began in the summer of 2004 with an empty house and an 8-track tape machine. Lewis played and recorded everything at home, enlisting the help of Zack Reinig for the drum sounds. "Lewis’ relationship with the recording process gleams of hi-fi ambition beneath a lo-fi veneer, ripe with rich star-shine vocal harmonies, undulating transitions and bubbling psych explosions. “You Wear It Like Stained Glass Window” merges feral banshee guitars and spectral howls that reflect the volatile nature of knowing another person inside and out, be that good or bad. “Even a Vampire Wouldn’t Drink My Blood,” an anxious anthem to self-deprecation, shrugs off any residual melancholy with arena rock guitars and a cappella choral builds. This is a perfect conclusion to an album that embodies universal tribulations of finding, losing, or extricating oneself from love."”
JohnGBrown Rec'd this on May 23, 2009:
Street Cred: 5716 Rec's: 346
“One of the great Congolese singers!”
JohnGBrown Rec'd this on May 23, 2009:
Street Cred: 5716 Rec's: 346
“One of the great Congolese singers!”
crazyeyes Rec'd this on May 19, 2009:
Street Cred: 7346 Rec's: 274
“so nice to hear simple, acoustic folk song at this point in the record. ”
crazyeyes Rec'd this on May 19, 2009:
Street Cred: 7346 Rec's: 274
“this song is so awesome. ”
crazyeyes Rec'd this on May 6, 2009:
Street Cred: 7346 Rec's: 274
“one day i'll be able to hit all those high notes. who knew mariah carey had such a profound influence on indie music?”
crazyeyes Rec'd this on May 5, 2009:
Street Cred: 7346 Rec's: 274
“Equal parts Disney film soundtrack and fuzzy garage-rock. This album gets better with each listen!”
crazyeyes Rec'd this on Mar 27, 2009:
Street Cred: 7346 Rec's: 274
“One of my favorite soul songs of all time. The dynamics of Al Green's voice and the simple, tight drum groove are unbeatable.”
crazyeyes Rec'd this on Mar 27, 2009:
Street Cred: 7346 Rec's: 274
“Al Green is one of the most important soul singers of all time and this album features some of his best songs including "I Can't Get Next To You" and "Tired Of Being Alone." Soul fans -- there's no excuse if you don't own this album!”
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