We Love
Hype Machine too, so you get 50% off when you purchase credit!
moonKnight
25 Years Old
- Street Cred: 363
- RECs Made: 15
- Cash out potential: $3.63
- You've made: $0.00
My Recommendations
Rec'd this on Apr 22, 2008
“This was arguably the best track of the three. It certainly was my favourite (though all were good). At once it evokes conflict and confusion, and triumph and hope. It was the catchiest and most memorable of the tracks to me and I expect it to get the most play in the future.”
Rec'd this on Apr 22, 2008
“This track reminded me alot of Infected Mushroom's Cities of the Future. Don't get me wrong, this song is original and does not share the same beat structure or anything particularly obvious, but it felt like it had something more abstract in common. There was a fun driving beat with a more laconic vocal fading in now and again. If you liked Cities of the Future I am fairly sure you would like this. It also reminded me a bit of an electronic/instrumental cousin of Kenny Loggin's "Danger Zone". I wanted to be speeding down the highway to this tune.”
Rec'd this on Apr 22, 2008
“This track really brought the rawk and kicked off this short album well. It could be equally said to be metal with a strong electronic edge, or inversely electronic with a strong metal edge. I see myself making this part of my workout mix.”
Rec'd this on Apr 20, 2008
“The funkiest of the tracks on this album, this could almost be said to be more hip hop or R&B than electronic. It is the catchiest and perhaps most accessible of the tracks, having the most vocals and the least experimental electronic elements/effects. While it starts as a fairly straight sample of a female vocalist singing about her "boo", the thumping electronic bass clearly indicates something askew, almost like in a horror movie as things drift off from the apparently normal to the terrifying. The sample eventually becomes distorted, stuttering and failing. The pleasant voice is not what it seems at all, and the loving promises come to naught. This certainly is grounds for the reflections later in the album.”
Rec'd this on Apr 19, 2008
“This song worked well as the end of a smart, tight EP. I honestly am not sure what to make of it though. There is clearly a dichotemy going on between the heavenly female singing and the vaguely angry hip hop/rap aspect, with a male vocal repeating "Kill it". Perhaps we are meant to see that even within ourselves there are aspects of us that are only "Fair Weather Friends" and that we have our own disorder to work out within.”
