cgnatale
- Street Cred: 468
- RECs Made: 30
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My Band's Site: http://carlos.bandcamp.com/
Fanned Artists (2)
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cgnatale has not yet fanned any labels.cgnatale's Network on Amie Street (1)
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12361
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cgnatale's RECs (30)
cgnatale Rec'd this on Nov 8, 2009:
Street Cred: 468
Rec's: 30
Track: Chapel Files
(
$0.18
)
Artist: John Hollenbeck's Quartet Lucy
“Nice”
cgnatale Rec'd this on Nov 8, 2009:
Street Cred: 468
Rec's: 30
Track: Constant Conversation
(
$0.18
)
Artist: John Hollenbeck's Quartet Lucy
“Great music..”
cgnatale Rec'd this on Nov 8, 2009:
Street Cred: 468
Rec's: 30
Track: dreams for tomorrow
(
$0.18
)
Artist: John Hollenbeck's Quartet Lucy
“Great musician/composer. ”
RECs in cgnatale's network
Plong42 Rec'd this on Nov 7, 2009:
Street Cred: 12361
Rec's: 510
Track: BLANK ON BLANK: Excerpt
(
$0.18
)
Artist: Alwin Nikolais
“Alwin Nikolais is a choreographer and d National Medal of Arts honoree. Sometimes called the "American Patriarch of French modern dance," Fance inducted him into its Legion of Honor. The music is abstract and evocative. ”
Plong42 Rec'd this on Nov 7, 2009:
Street Cred: 12361
Rec's: 510
Track: School of Velocity: Quarter note = 132 con bravura
(
$0.15
)
Artist: Donald Berman
“A piano piece commissioned by Donald Berman”
Plong42 Rec'd this on Nov 7, 2009:
Street Cred: 12361
Rec's: 510
“Roulade is a chamber piece for flute, harp, and string trio. Christine Fish solos on flute”
Plong42 Rec'd this on Nov 7, 2009:
Street Cred: 12361
Rec's: 510
Track: Concerto for Flute and Orchestra: II - Quarter Note = 108-120
(
$0.18
)
Artist: James Galway
“Expertly played by Galway, this piece by Professor Emeritus at UCLA Lazarof ”
Plong42 Rec'd this on Nov 7, 2009:
Street Cred: 12361
Rec's: 510
Track: Spectrum for Solo Trumpet, Orchestra, and Tape: Scene II
(
$0.18
)
Artist: Thomas Stevens
“An unusual setting, with a tape used along side the orchestra. ”
Plong42 Rec'd this on Nov 7, 2009:
Street Cred: 12361
Rec's: 510
Track: Symphony No. 1: IV - Adagio-Presto
(
$0.18
)
Artist: Vienna Orchestra
“The NYT says that Wigglesworth "embraced the extremes of lyricism and atonality." ”
