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Kidnapped By Neptune $4.23
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8 RECs for this Album
8 with a review
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TonyDunc Rec'd this on Mar 5, 2009:
Street Cred: 1268
Rec's: 190
“I seem to like her longer songs. This is another wonderful story told with deep emotional currents. Raw guitar and her voice that go through a variety of ups and downs.”
TonyDunc Rec'd this on Mar 5, 2009:
Street Cred: 1268
Rec's: 190
“Scout is NOT for everyone. Very raw and unpolished. She is all about emotion and spare musicality. But if you get into her, the music IS good, and she has the urgency and genuinesss that I prize in vocalist/songwriters.
This is particularly spare, but the changes in mood and tempo are quite intriguing.
The more I listen the more I like her”
TonyDunc Rec'd this on Mar 5, 2009:
Street Cred: 1268
Rec's: 190
“Scout is not making music for the listener. She eschews musical conventions. That can be bad for the listener But I really am grabbed by her immediacy and emotion.
This has definite punk elements, and almost empty spcae but it is all from the gut.”
TonyDunc Rec'd this on Mar 5, 2009:
Street Cred: 1268
Rec's: 190
“a little odd. mostly instrumental until the end. there are some good licks in the midst of the noise”
sparkatito Rec'd this on Feb 29, 2008:
Street Cred: 1984
Rec's: 65
“Not your average girl-with-guitar singer/songwriter stuff. This album is pretty spotty, and I think this track is one of the standouts.”
TonyDunc Rec'd this on Mar 5, 2009:
Street Cred: 1268
Rec's: 190
“nice harmonies to start alternating with the ubiquitous slam drumming, and her oddly wavering voice.
I like the contrast of two.”
TonyDunc Rec'd this on Mar 5, 2009:
Street Cred: 1268
Rec's: 190
“really distorted guitar riffs, Compliment her crooning wailing. I do like the way that she compliments the drums and guitars almost like she is talking with them.”
TonyDunc Rec'd this on Mar 5, 2009:
Street Cred: 1268
Rec's: 190
“One of my favorites form the album. it is quite long and has lots of turns. If you like her voice, and the stories she tells this is great. But it does ebb and flow in ways commercial music doesn't allow.”
