FABULOSO $2.28
1. | Listen to Angel On My Shoulder by Melvern Taylor | 28 | plays | 2:33 | $0.19 | 1 | |||
2. | Listen to Sad and Blue by Melvern Taylor | 23 | plays | 3:59 | $0.19 | 1 | |||
3. | Listen to Working Stiff by Melvern Taylor | 22 | plays | 3:30 | $0.19 | 1 | |||
4. | Listen to Coming Up Roses by Melvern Taylor |
| 18 | plays | 3:28 | $0.19 | 1 | ||
5. | Listen to It's Not My Fault by Melvern Taylor |
| 15 | plays | 2:44 | $0.19 | 1 | ||
6. | Listen to Nothing Good by Melvern Taylor | 9 | plays | 3:01 | $0.19 | 1 | |||
7. | Listen to Getting Over You by Melvern Taylor | 10 | plays | 2:47 | $0.19 | 1 | |||
8. | Listen to Bettie Lou by Melvern Taylor | 10 | plays | 3:13 | $0.19 | 1 | |||
9. | Listen to The Next Train to Baltimore by Melvern Taylor | 16 | plays | 3:41 | $0.19 | 1 | |||
10. | Listen to Beer Cans by Melvern Taylor | 9 | plays | 3:37 | $0.19 | 1 | |||
11. | Listen to Smoke and Mirrors by Melvern Taylor | 10 | plays | 4:48 | $0.19 | 1 | |||
12. | Listen to You and Me (and My Ukulele) by Melvern Taylor | 10 | plays | 2:30 | $0.19 | 1 |
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About FABULOSO
Fabuloso is a 12 track compilation of songs featuring “Angel on My Shoulder,” “Sad and Blue,” “It’s Not My Fault,” and “You and Me (and my Ukulele),” is Taylor’s third release, and promises to be the best as of yet. Taylor’s silky vocals, addictive melodies, and well-suited ukulele provide the album with a fresh, honest, and unique pop sound.Taylor began his musical journey growing up in Andover, Massachusetts where he secretly would listen to his older siblings’ recordings of The Bee Gees and The Who. With only an acoustic guitar and an Eagles songbook, a young Melvern Taylor taught himself to play. It was not until later in his career that Taylor discovered the ukulele, which enhanced his music and gave the band the sound they have today.
In the mid-1990’s Melvern moved to Lowell, Ma. There he drank beer, earned a bachelors degree in fine art and fronted the band Mudfoot. In 1999 Taylor gathered a collection of tunes he had recorded with friend and studio wizard Sir Bob Nash and released his first solo record, Handsome Bastard. This album was just the beginning and solidified Melvern as a talented tunesmith and consummate performer. The CD caught the attention of former record-store owner, Kevin Guyer, who released Melvern’s sophomore album, The Spider and the Barfly, on his label, Broken White Records in 1998. No Depression magazine hailed his second effort as “a nonstop tour-de-force of intelligent, unpredictable pop.”
The Boston Herald describes Melvern Taylor as, “A crooning country singer one minute and a gruff bluesman the next” and Jam Music Magazine has heralded Melvern as, “A pop musician who mixes sweet sounding pops stylings…with dark and ironic tales that are reminiscent of Tom Waits. What he has created is as unique as it is excellent.” Recent appearances with Slaid Cleaves, Marshall Crenshaw, Steve Forbert, The Samples, NRBQ, Beaver Nelson, and the Tarbox Ramblers have allowed Melvern to demonstrate his plethora of music styles and abilities to audiences across the country. Being able to draw comparisons to Jim Croce, Elvis Costello, and Chris Isaak in one breathe is what sets Melvern apart from his contemporaries. “Fabuloso” does indeed set the benchmark for albums encompassing pop, folk, blues, and soul all into one unique genre.
12 RECs for this Album
12 with a review
CraigH Rec'd this on Dec 25, 2008:
Street Cred: 11180
Rec's: 500
“The one that would make you buy a whole collection of CD's just to own. The one that puts lyric to a feeling that you could never put into your own words. The one that gives you instant cred with even your most musical-elitist friends. "And it's a bad day for the angel on my shoulder / The competition is winning me over". And, yes, the Old Worthen (now once again known as the Worthen House) is indeed very, very much alive, and Edgar Allan Poe wouldn't steer you wrong.”
CraigH Rec'd this on Dec 25, 2008:
Street Cred: 11180
Rec's: 500
“Somebody might tell you that Melvern Taylor is the king of the sweetest sounding sad songs you've ever heard, but until they've heard this one, it's possible they know neither sad, nor sweet.”
CraigH Rec'd this on Dec 25, 2008:
Street Cred: 11180
Rec's: 500
“It's been a good show when "Bettie Lou" is part of the set list. "I'm glad we had this Ta-aaaahlk"”
CraigH Rec'd this on Dec 25, 2008:
Street Cred: 11180
Rec's: 500
“A little piece of Americana that's too innocent and sweet for words, yet Melvern Taylor finds them anyway. "I'd love to stay here and love you more / But I must go". So beautiful.”
CraigH Rec'd this on Dec 25, 2008:
Street Cred: 11180
Rec's: 500
“This is exhibit A in my argument, saved for one day having with Melvern Taylor, that he's a liar if he says he front-loads his records. If there's a more beautiful song in my collection I've forgotten it now that I've heard this one.”
CraigH Rec'd this on Dec 25, 2008:
Street Cred: 11180
Rec's: 500
“One of my personal favorites. Starts out to strains of that nifty version of "Over the Rainbow" I can never remember who sings, and then goes straight to the heart and you realize it's all it's own song. How to be sorry for leaving, and for staying too long, too. "But it's not my fault". You know there's somebody to whom you want to say it too.”
CraigH Rec'd this on Dec 25, 2008:
Street Cred: 11180
Rec's: 500
“I like to imagine this one is somebody's favorite lullabye, if that somebody was lucky enough to have someone to love them that much.”
CraigH Rec'd this on Dec 25, 2008:
Street Cred: 11180
Rec's: 500
“"Darling, you astound me".
I hear this one and I know it's supposed to be "Sad and Blue", but "it don't matter, if you break my stupid heart" says it in a way that you know it's not wished to end that way. Best I can squint on the song credits that's Steve Latt on the fiddle, and it's a great part, even though you have to pay attention to hear it. A great arrangement, and a great song.”
CraigH Rec'd this on Dec 25, 2008:
Street Cred: 11180
Rec's: 500
“"And the sweet smoky smell of you / Lola I'm telling you / I'll never make it alone". Lowell/Lola, you can switch 'em and it still makes sense. (If you've ever been to Lowell, maybe you know what I'm talking about). I like it when you can make up reasons for a lyric to be about what you want it to be about, and it all works. I like it.”
CraigH Rec'd this on Dec 25, 2008:
Street Cred: 11180
Rec's: 500
“There can never be anything wrong with a song about beer cans. Add a lyric about Blue Oyster Cult coming out your brother's window, and you know you're being taken to a place you remember like it's inside a sunny day snow globe.”
