Jazz Memories $15.24
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31 RECs for this Album
8 with a review
afroninja Rec'd this on Nov 27, 2007:
Street Cred: 703
Rec's: 52
“This song has a special place in my heart, 'cause it's a song my wife played for me shortly after we met, plus it's just a wonderful song.”
scooby_rex Rec'd this on Nov 27, 2007:
Street Cred: 3017
Rec's: 94
“upbeat piano featured song with great drums and bass”
crazyeyes Rec'd this on Dec 4, 2007:
Street Cred: 7355
Rec's: 274
“see mohurley's amazing rec for this song!”
Joshua Rec'd this on Nov 28, 2007:
Street Cred: 6638
Rec's: 211
“This entire compilation is incredible. There are tons of compilations of Jazz Masters, but this one not only has artists like Billie Holliday, Miles Davis, Charlie Parker, etc., but the songs chosen are some of the best.”
mohurley Rec'd this on Dec 9, 2007:
Street Cred: 362
Rec's: 24
“The double album collection features jazz divas including Billie Holiday crooning My Man , Sarah Vaughan's Embraceable You , and Ella Fitzgerald's sultry How Long Has This Been Goin... -- all are national jazz treasures.”
mohurley Rec'd this on Dec 6, 2007:
Street Cred: 362
Rec's: 24
“Don't be put off by the hard bop intro of Tune-up, it's really two songs in one and it gets oh so mellifluous replete with lounge solos when the lights dim. Worth a listen. From what I can tell, Tune-Up/When the Lights are Low is from Miles Davis' legendary 1956 Prestige album, Cookin' With the Miles Davis Quintet with John Coltrane on tenor-sax (or Sonny Rollins), Red Garland on piano, bassist Paul Chambers and drummer "Philly" Joe Jones. Whether it's Rollins or Trane on the sax is moot, it's still all pure groundbreaking Miles on the trumpet.”
mohurley Rec'd this on Dec 4, 2007:
Street Cred: 362
Rec's: 24
“This double album really is the Ultimate Jazz Experience; an incredible compilation of works from all the great jazz the masters including Billie Holiday, Miles Davis and Duke Ellington. Check the track titles on CD Baby and you'll see what I mean. It's yet another Amie Street solid gold steal.
Blue Monk is my fave, but I gotta REC this cut as the pianist Lennie Tristano is featured on it. In the '50s, I went to Lagunitas School out in the wilds of West Marin with Tristano's son, Steve, who, during recess, played us the rockingist Boogie Woogie you ever heard – we could literally see the cenozoic dust motes rising from the top of that old upright. We were all dancing and rocking out.
When the recess bell rang, our matronly 2nd grade teacher, Mrs. Burges opened the door and had absolute and anacretonic apoplexy replete with a vibrato shriek. But the damage was done. We were Boogie Woogied by the blind piano man's son. Then the 60s happened... we lived charmed lives.
Steve's best friend, Pete Sutton was in my class too. Alas, their fathers, Tristano & Sutton were great NY jazz legends, posthumously inducted into the Big Band and Jazz Hall of Fame in 2002, but invisible dads... I saw them maybe once or twice. But we were all mostly fatherless living out so far from town.”
mohurley Rec'd this on Dec 4, 2007:
Street Cred: 362
Rec's: 24
“
The double album, "Jazz Memories" really is a perfect introduction to the Ultimate Jazz Experience. "Jazz Memories" is an extraordinary compilation of works from all the great jazz the masters including jazz divas Billie Holiday, Sarah Vaughan and Ella Fitzgerald, with jazz legends "Satchmo" Louis Armstrong, Count Basie, Miles Davis, Thelonious Monk and Duke Ellington, to name a few.
"Jazz Memories" is yet another Amie Street solid gold sleeper. These are all clean tracks of major hits—not muddied side B recordings. Blue Monk is my fave, and Art Tatum's Willow is a close second. No, make it Firenzie...aww, just buy the whole album.
OOPS! For the record: I RECd the wrong song in that Lennie Tristano was on track 29/13, "Judy," not 28/12, "St. Thomas" by Sunny Rollin. Maybe my mind was on the tropical sun (for it's raining today). The only excuse I can give is that I'm dyslexic and distracted by problems downloading the album... Then I found I'd RECd the wrong song! They're both great songs. Tristano's " Judy" is downtempo with some lovely ivory trillings (New York in the snow?) while Sonny Rollin's mellifluous sax in his famous calypso, "St. Thomas," is steamily tropical.
But now I gotta make amends and REC the right song, "Judy" (for Lennie Tristano's vocalist Judy Niemack?)
My story remains the same: In the late '50s, I went to Lagunitas School out in the wilds of West Marin with Lennie Tristano's son, Steve, who, during recess, played us "Tea for Two" and the rockingist "Boogie Woogie" you ever heard, by heart. The ivories trilled. Steve pounded it down. The ebonies remembered their tropical homeland. We could literally see the cenozoic dust motes rising up and in the sun from the top of that old blond upright piano that never played anything racier than "America the Beautiful." Eight year old Steve, the piano prodigy, was standing on the piano bench hammering out a progression of locked hand chords by ear before Elton John knew there was an Elvis and we were all dancing and rocking out like American Bandstand.
When the recess bell rang, our 2nd grade teacher, the matronly Miss Burge opened the classroom door and had a fit of absolute and anacreontic apoplexy replete with vibrato shriek (she was the school music teacher). But the damage was done. We were Boogie Woogied by the blind piano man's son, Steve. Sadly, Miss Burge did NOT see Steve's obvious inherited talent.
I remember meeting the blind piano man. I thought you had to be blind to play the piano as Scott Weaver's older brother, the Valley piano tuner, was also blind. but Steve had eyes to see with. Fine eyes, his father's brow. We lived charmed lives. Then the 60s happened... Last time I saw Steve was at the Forest Knolls bus stop. He boarded the magic bus, he saw something on the horizon and like so many of our generation, and never came back.Steve's best friend, Pete Sutton was in our class too. Alas, their fathers, Tristano & Sutton may have been great NY jazz legends, posthumously inducted into the Big Band and Jazz Hall of Fame, but they were among the vast the army of invisible dads... I saw them maybe once or twice. But we children of the Beat generation were all mostly fatherless living out so far from town.
”
