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Brett Dennen: his lyrics are So Much More

August 9th, 2007

Lee Rogers - A short introduction

July 18th, 2007
Lee Rogers

Looks can be decieving. So can sounds. Take Lee Rogers as an example: with vocals reminiscent of Marc Cohn (yeah, the "Walking in Memphis" guy), a list of influences including Bruce Springsteen and James Taylor, and songs referencing Boston, you would not seem foolish to peg Lee Rogers as an American singer/songwriter. You would, however, be mistaken:

A mish mash of footage taken by Belfast musician Lee Rogers and filmmaker Michael Pye, edited into a short introduction to Lee, his background and his music. Lee narrates his nostalgia of his home town, Carrickfergus, and his stomping ground where he cut his teeth musically, Belfast. The song playing in the background is the as-yet unreleased "Dying Day." [YouTube]

Lee Rogers paid his dues playing residencies in the clubs and bars around Belfast, in Northern Ireland. Having outgrown mid-week residencies, Lee now spends his days touring steadily around the UK.

was recorded in Italy in 2005, and is now available for your enjoyment here on Amie Street. It's all pretty can't-miss, but the three standouts in this reviewer's humble opinion are:
Play Button Brian Writes Poetry (Radio Edit) ()
Play Button Ida () (This is the one with the Boston reference...)
Play Button Long Gone Days ()

Topher Mohr brings Genre Bending to Amie Street

June 12th, 2007

"I feel like there is a new style of music emerging now, where hip hop, electronic music and alternative garage can be married" said Topher Mohr in an interview with Trace Magazine. From that statement, it's no surprise that Mohr's music blends and juxtaposes everything from rock to rap to singer-songwriter pop.

On Play Button Earthquakes (

), Mohr combines the roles singer-songwriter and rapper while Play Button Give It Away () mixes rock melodies and distorted guitars with fast rhymes. Mohr blends these genres together seamlessly making for a new and refreshing genre stemming from the best of contemporary pop music. This happens most notably on Play Button No Way Out () -- the most danceable track on the album. The beginning of the chorus is reminiscent of Justin Timberlake's falsetto while the rock-backed rapping during the verses sounds derivative of Linkin Park.

While some tracks on

sound unlike anything you've heard before Play Button Dancebaby () and Play Button It Never Rains () contain catchy pop-rock that will bring you back to your comfort zone.

Chase Emery makes his Amie Street Debut with “Definition”

May 29th, 2007

You've already heard Chase Emery Play Button I Miss You (

) on Lonelygirl15 and MTV's Laguna Beach, so now it's time to check out the rest of his album . Play Button Fragile ()begins as if it were off of U2's The Joshua Tree while Play Button I Can't Wait () and Play Button Talk To Me () are feel-good, catchy, acoustic-pop. If you're into John Mayer, Jason Mraz, and Matt Kearny then you should definitely check out Chase Emery

Here's a video of Chase discussing his album

Griffin House Triple Release on Amie Street!

May 25th, 2007

This week, Amie Street is bringing you some great material from one of our most popular artists, Griffin House. First up is

. This features some wonderful piano ballads including Play Button Only Love Remains () and Play Button Say I Never Loved You () as well as the folk-rock of Play Button Sinner ().

Next we have

. This EP features the confessional Play Button Show Me Yourself (), the quasi-experimental Play Button Don't Try to Hide It (), and the Oasis-esque Play Button New York Times ().

features one of the most popular songs on Amie Street, Play Button The Guy That Says Goodbye (). But the goods don't end there: Play Button Never Again () showcases Griffin House's Bono-esque voice and Play Button Live To Be Free () has moments of Tom Petty and The Heartbreakers, The Killers, and U2.

Check out this video for Play Button Downtown Line (

):

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