Artist Spotlight: Dead Confederate
While their deep-seated southern roots and flamboyant below-the-Mason-Dixon name might imply differently, Dead Confederate rocks a little harder, a little heavier, and a little more intelligently than you might think.
Actually, the guys from this ensemble of alt-rockers have even said the name was meant to signify their disdain towards today's stereotypical southern rock.
Don't misunderstand, they still keep that bluesy twang so often associated with music out of the blazing hot south, but with an added alternative edge. Emotionally charged lyrics are belted out by front man Hardy, whose mesmerizing vocal capacity (and I know it's trodding on sacred ground to repeat this) has been compared to that of King Cobain himself. There are some pitches hit in a way that is even reminiscent of Bono, if you can imagine both these voices combining in the giant mixing pot of capability that is Hardy's voice.
But the magic behind Dead Confederate rests in the fact that
they put out the same powerfully conflicted yet predatory tracks as
those heard in the heyday of Nirvana, while managing to incorporate
other elements of rock. For example,
It Was A Rose
has an
old-school southern twang at the start, but spins into an
eloquently dangerous diatribe of sound, much like Pearl Jam's
softer numbers.
If sound alone doesn't drag you in than the intimate lyrics
will. Take the single
The Rat
, which features lines
like "Throw your judgements across the breeze / Bag and burn /
Bang bang / You live inside your Jesus dream" -- touching on
delicate subjects but with the fervor and dedication to wreck an
entire history of beliefs.
Wrecking Ball, the latest release from these alt-rock revivalists, is complex, heavy, and deeply melodic.
Additional Tracks:
Heavy Petting
Start Me Laughing


February 17th, 2009 at 11:05 pm
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