You're using Internet Explorer 6

Amie Street will work better for you if you switch to one of these modern browsers:

Switch to Mozilla Firefox
Switch to Google Chrome
Switch to Safari
Upgrade to Internet Explorer 8

Amie Street interviews Drew & the Medicinal Pen

August 17th, 2007
Drew & the Medicinal Pen

I've been a fan of Amie Street newcomer Drew & the Medicinal Pen since I happened upon him (it's a one-man operation, really) opening a show in Brooklyn in November, 2006. Drew emanates the twitchy creativeness of a true artist, and it's impossible not to sense it when you meet him. When he's not making what he describes as "cigarette-butts-in-Chinese-food, insomniac, vodka-breathed, bedroom-pop music," he's painting graffiti of dead televisions (if you live in NYC and spend much time out, maybe you've seen one), making videos, and drawing. Always drawing. But it's the music that brings him to Amie Street, and his 6 song EP

is basically marvelous. I really must recommend the entire thing.

Amie Street: You're a jack of many trades. How do you spend your time when you're not playing guitar?

Drew: I like keeping busy with other crafty stuff, working on tape machines, silkscreening, drawing, writing, keeping up with my dream-logues, painting on walls, eating cereal and making booby traps... etc. When I'm not playing I'm working for Rooftop Films, and talking my way into other odd jobs.

AS: What's with the dead TV's?

D: I guess the Dead TV has officially become my unofficial logo over the years. I started doing graffiti when I was a kid, and it's just something that I kept drawing. I suppose the reason it's stuck is that it's got that DIY, anti-consumerism, get-up-and-do-something mentality behind it that seems to tie in to my music.

AS: I've started noticing a bunch of them around town. How many do you think you've done in total?

D: I guess it would be high in the hundreds? I don't know. I just go nuts sometimes and feel like running around the city climbing on things and painting them.

AS: Tell me about the xylophone from Sam Ash.

D: Right the xylophone... I was on a pretty tight budget recording

, and there was a song [ Play Button Pins + Needles (), -ed.]that absolutely had to have xylophone, and my Muppet Babies xylophone was pretty cool but not really doing the trick. So I went to Sam Ash and bought this beautiful one with a nice hard-shell rolling case and everything for something crazy like $400. I laid down the track in the studio that night and returned it the next day. I think I told the guy it sounded too "metal-y."

AS: A lot of your performances are parties that you host, not straight-up shows. What's involved in putting something like that together?

D: A lot of calling in favors, borrowing gear, rounding up people through my mailing list, drawing a good flyer, Myspace and such. Sometimes I'll go through my whole phone and call everyone I know when I'm sure it's gonna be a good show. It ends up being twice the work, but I prefer it because I get to have bands perform that I believe in, and that I know deserve the crowd. It's also much more intimate; when I throw apartment shows and parties, people sit down and listen, then save the bouncing off the walls for the after-set dance party. It's a good mix. I like bringing good music and good people together, so I'm just gonna keep doing it until I get evicted.

AS: And finally, since we're in the business of making recommendations here on Amie Street: if you had to pick one song from the record that you'd call your favorite, what would it be and why?

D: That's tough... I think it would have to be Play Button A City was Born (

). It's the most visual in terms of the ability lyrics have to inspire imagery in people's heads. I like it when you can pop on headphones in bed and dream up all this crazy stuff. It's a bit different from the rest of the album thematically, and a true folk song in the sense that it tells a story. Also, when I was finished cutting that song, there were close to 100 tracks of whistles for that hook, which was kind of fun.

*Bonus* - Here's a video for Play Button Hole in my Sail featuring footage from one of the apartment shows described above:

Share/Save/Bookmark

3 Responses to “Amie Street interviews Drew & the Medicinal Pen”

  1. LouPickney Says:

    Drew & the Medicine Pen have a fun sound, and it’s finding artists like this that makes this site so much fun. “A City Was Born” is my favorite track, but he clearly has musical talent and a vision to use non-conventional methods to put together good music. I hope to hear more from him soon.

  2. Rob E. Says:

    “Dream, dream, fail, repeat” is definitely on my top 10 album list, despite it being a 6-track EP and not a full LP. In those six songs there’s more lyrical meaning and musical intricacy than most of the current music market. It’s amazing. I have to agree on “A City Was Born” being my favorite, as well as “Hole In My Sail.” Drew’s video work is interesting, too, combining everyday images with very specific music that creates a vivid mood. Very talented.

  3. JZ Says:

    Kind of sucks, then again most things coming out of my hometown Brooklyn suck these days. Oh sure, we had bands back in the day that wrote music that meant something, then again these guys actually have hometown scars. Now were left with a bunch of trustfund brats who think our neighborhoods are fucking playgrounds where they can showcase their crap at our expense.

Leave a Reply

buy buttons
album view
 

Want more?

Click Here to listen to tracks similar to what you just listened to! You might find a gem or two.

 
X
You either have JavaScript turned off or an old version of Adobe's Flash Player.
Flash is required in order to preview music on Amie Street.
Get the latest Flash player | Close Message