This collection of small piano sonatas from the late 18th and early 19th centuries is performed with touching delicacy and simplicity by French pianist Sophie Clausel.

Often overlooked in favor of Beethoven's more expansive, later sonatas (such as the "Appassionata" and "Waldstein"), the Opus 49 sonatas found on this recording nonetheless exhibit the composer's mature style. Written just a few years after the death of W. A. Mozart, these sonatas demonstrate Beethoven's capacity to create charming music that clearly points to the earlier composer's influence.

Written around the same time as Beethoven's op. 49, Clementi's op. 36 Sonatinas (six in total, of which nos. 2 and 3 are heard on this recording) are the picture of grace and elegance. Thoroughly embracing the style of the time, these works are wholly Classical in that the music conveys a sense of proportion and simplicity, providing a sonic situation ideal for relaxation and contemplation.

Listeners might be surprised by the beginning of German-Danish composer Friedrich Kuhlau's Sonatina op.88 no 3 in A minor (1) - Kuhlau , written in 1827, which sounds remarkably similar to the opening of Beethoven's bagatelle for piano most commonly known as "Für Elise," written in 1810. This similarity no doubt comprised part of Clausel's decision to pair these two composers on her recording. The third movement of Kuhlau's sonatina is a bouncy, gypsy-esque dance.

The combination of Beethoven's charm, Clementi's simplicity, and Kuhlau's playfulness, plus the intelligent and sensitive performances by Clausel make this recording ideal for the listener seeking modest stimulation and simple beauty.

Featured Tracks:
Sonatina op. 36 no. 2 in G major (1) - Clementi
Sonata op. 49 no. 1 in G major (1) - Beethoven